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96 input, 32 output Vi series console with integrated MADI and Dante ports

SRP £30,615.00 + VAT

Why mix through a single, central screen when you could see the full picture?

The new Soundcraft Vi3000 empowers engineers to work intuitively. A new 3D Vistonics™ interface places control knobs directly in the touch screens that provide the visual feedback, while FaderGlow™ fader track illumination makes perfect sense of assignable layers. With local I/O and SpiderCore DSP ‘in the box’, the Vi3000 packs a class-leading feature list including built-in Dante and MADI, Lexicon FX and optional UAD Powered Plug-in integration using the Soundcraft Realtime Rack.

Touch. See. Mix.

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The Vistonics interface is central to the Vi3000 design philosophy, providing direct access to all functions with maximum information and visibility at all times. 16 switches and rotary encoders are built into each Vistonics screen, so where you look is where you control. Functions are colour-coded and change according to the selected mode and one touch of the screen is all it takes.

Suddenly assignable layers make perfect sense

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FaderGlow™ is a unique and elegant solution to the inevitable confusion caused by assignable faders. Fader tracks are illuminated in colours that integrate with the Vistonics screens to provide at-a-glance information. Matrix outputs, sends on fader, VCA groups, graphics EQ - you'll always know exactly what function is being controlled by what fader at any given time. And with all fear on confusion removed, operators are free to take full advantage of Vi3000's user-configurable fader layers, mapping essential channels to a central position and customising outputs for convenient operation.

UAD plug-ins. Lexicon FX. SpiderCore DSP.
No wonder this console sounds so good.

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The Vi3000 is a console with friends in high places. Sound quality is assured by Soundcraft SpiderCore - a brand new 40-bit floating point DSP engine that mixes FPGA and DSP technology in a unique combination that maximises IO routing and DSP mixing capability in a footprint small enough for inclusion within a control surface. FX come courtesy of 4 independent stereo Lexicon multi effects units., each providing a choice of 14 reverbs, 7 delays and 8 pitch shifting effects, patchable to input channels, aux outputs and channel inserts. BSS third-octave Graphic EQ is available on every bus output, with fader bays illuminating in red to indicate GEQ mode.

Dante. MADI. More.
It's all built-in. 

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Vi3000 gives you everything you need integrate into Dante audio networks and access DAWs for live multitrack recording and virtual soundchecking via MADI.  MIDI, USB and Ethernet ports are also included, along with a DVI output and 4 channels of AES I/O. Uninterrupted performance is assured by dual redundant PSUs.

Optional 64 channel stagebox

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With up to 48 on-board mic inputs, Vi3000 is happy to work with existing analogue multicore systems. Also available is an optional remote stagebox housing 64 analogue mic/line inputs and 32 analogue line outputs, with 48V phantom power and a 100Hz HPF before the A-D converters. Mic amp gain can be controlled remotely from the console surface. 

At last.
A live sound console that's ready to talk to everybody.

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Two ports on the Vi3000's rear panel open up a world of possibilities for I/O expansion and networking. Simply choose from the most comprehensive range of expansion cards in the business.

There's no such thing as too much control.

Vi3000 is packed with powerful features to help you set up and control the show. Offline set, settings libraries and copy/paste functions get you where you need to be quickly, while sophisticated automation and radio mic status monitoring help you run the show.

ViSi Remote iPad® App.

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Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage.

SSE Group makes immediate investment in new Soundcraft Vi3000

“This is the first time a large format Vi control surface has been available to the market at this level and the Vi3000 will integrate very neatly and cost effectively into venues with existing analogue infrastructure via the I/O on the back of the surface. Onboard MADI and Dante interfaces as standard are also a huge bonus as well as upgraded DSP and new graphics.”

Alex Penn, SSE Audio

Adlib installs Vi3000 at Liverpool University

“This is a really easy board to walk up to and with 96 inputs and 24 stereo busses, it can handle much more complex shows when required without a venue having to rent in a different console.”

Dave Kay, Adlib 

Phonophobia add Soundcraft Vi3000 to expanding hire fleet

“Visiting engineers patched in through Dante or MADI, and since we have a lot of riders now showing Vi1 or Vi6 most seemed excited to be using the new desk.”

Mark Chant, Phonophobia

Find out more

Download the Vi3000 brochure 

For more Soundcraft Vi6/Vi4/Vi3000 information please call a Soundcraft Vi Select Dealer or call Sound Technology Ltd on 01462 480000.

  • SSE Audio +44 (0)1527 528822

  • Adlib Audio +44 (0)151 486 2214 

Soundcraft Vi Series consoles are in the hire stock of leading rental houses in the UK and throughout the world. 

  • 96 inputs to mix
  • Four Lexicon FX processors
  • 24 mono/stereo busses
  • Virtual Vi offline set up
  • VM2 radio mic status monitoring
  • Copy/Paste channel bus and FX settings
  • Copy/Paste processing elements
  • Settings Library
  • Sophisticated Cue List Management
  • Advanced events integration
  • Automated microphone mixing
  • Snapshot crossfades
  • ViSi Remote iPad® app
  • All busses to stereo
  • 4 Aux send points
  • Aux VCA mode
Line Outputs<75?
AES/EBU Outputs110?
Oscillator20Hz to 20kHz/Pink/White Noise, variable level
Stagebox HP Filter80Hz fixed, 12dB per octave
Channel HP Filter20Hz-600Hz, 18dB per octave
Channel LP Filter1kHz-20kHz, 18dB per octave
EQ (Inputs and Bus Outputs)
HF20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
Hi-Mid20Hz-20kHz, +/-18dB, Q=0.3-8.7
Lo-Mid20Hz-20kHz, +/-18dB, Q=0.3-8.7
LF20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
MeteringInternal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s.
Mains Voltage Operating Range90-264V, 47-63Hz, auto-ranging
Mains Power Consumption 300W
Temperature/Humidity Range
Operating Temperature Range0?C ? 45?C (32?F ? 113?F)
Relative Humidity0% ? 90%, non-condensing Ta=40?C (104?F)
Storage Temperature Range-20?C ? 60?C (-4?F ? 140?F)
Frequency Response
Stagebox Mic input to Line output+0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out+0/-0.2dB, 20Hz-20kHz
T.H.D. & Noise
Stagebox Mic In (min gain) to Local Line Out<0.003% @ 1kHz
Stagebox Mic In (max gain) to Local Line Out<0.020% @ 1kHz
Local Line In to Line Out<0.003% @ 1kHz
Mic Input E.I.N.<-126dBu (150? source), 22Hz-22kHz bandwidth, unweighted
Residual Noise-91dBu (Stagebox line output; no inputs routed, Mix fader @0dB)
CMRR, Stagebox Mic input80dB @ 1kHz
Sampling Frequency48kHz
Stagebox Mic Input to Local Line output< 2ms @48kHz
AES/EBU Input Sample Rate32?108kHz (with SRC enabled)
DSP Resolution40-bit floating point
Internal Clock Accuracy< +/- 50ppm
Internal Clock Jitter< +/- 5ns
External SyncBNC Wordclock
Input & Output Levels
Mic Inputs+28dBu max
Line Inputs+22dBu max
Line Outputs+22dBu max
Nominal Operating Level+4dBu (-18dBFS)
Input & Output Impedances
Mic Inputs2k7?
All other analogue Inputs>10k?