25% off selected EBS Black Label Pedals
1 April - 31 July 2014

EBS MetalDrive delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handles drop tuned guitars, 7-, and 8-string guitars without choking..

The MultiDrive is considered an overdrive, more than a distortion pedal. The mode switch selects Tube-simulation, Standard or Flat overdrive type sounds. All with a preserved bottom end since the pedal lets through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain!

The MultiComp can make a good sounding instrument sound even better. Once you’ve tried it, you’ll never want to play without it! The EBS MultiComp is equally good for guitar as bass, and is the best selling EBS pedal.

The DPhaser offers three different modes of stunning phaser effects. Short is the classic phaser effects recognized from the 70's, Long emphasize the effects a bit more, while Wide gives you extreme swirling flanger-like effects. Hi, Lo and Off decides the resonance of the effect while the two controls change the width and rate.

The pedal recognizes two or three-note chords and trigger the lowest note. Control the level of the original tone and mix in the octave effect. Choose between High, Mid or Low Range - which relates to the character of the sound of the sub-note.

The pedal is built with the best analogue processing circuitry available. This gives a smoother, warmer and fatter sounding chorus/flange effect, useful both for live and studio performances. The pedal output can run in mono or stereo.

The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or ”Funkadelic” sound. It features controls for threshold and attack, and runs in three different modes, Hi-Q, Up and Down. The BassIQ with the unique Down mode set can be used along with an EBS OctaBass to achieve a synth-bass sound.

Nothing compares to a true analogue effect when it comes to Tremolo pedals. The EBS TremoLo offers a full bodied fat sound, in a tiny but sturdy little box that fits nicely on any pedal board, delivering all the great tremolo effects you've always wished for. Perhaps most known as a guitar effect, the tremolo can add nice character to bass as well (just listen to the samples by Porcupine Tree bass innovator Colin Edwin below!)

The EBS DynaVerb uses 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It has a stereo input as well as stereo out. The DynaVerb features three different Modes or types of reverb - Room, Plate and Hall. Room and Plate can run in three variations while the Hall reverb offers two variations - a total of 8 different reverbs.